When the Heavens Sing: A Journey to the Heart of Revelation 14
"When Heaven Sings: A Journey to the Heart of Revelation 14" explores chapter 14 of the book of Revelation, a passage characterized by powerful symbolism and transcendent visions. The post focuses on heavenly song and the role of the 144,000, representing a renewed and redeemed humanity. Through a spiritual and symbolic analysis, the themes of judgment, redemption and divine fulfillment are deepened. The journey develops as a reflection on the harmony between heaven and earth, inviting the reader to consider the Apocalypse as a message of hope and inner awakening.
Summary
When the Heavens Sing: A Journey to the Heart of Revelation 14
Revelation 14:1-5: The Lamb and his redeemed on Mount Zion
Revelation 14,6-13: Three angels proclaim God's judgments
Revelation 14,14: The Son of Man on a white cloud
Revelation 14:15-20: The harvest and the harvest
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Introduction
The image represents an extremely symbolic vision rich in elements that evoke chapter 14 of the Apocalypse, emphasizing key aspects such as the angelic announcement, the harvest scene and the communion between heaven and earth.
1. The Angelic Presence
The angels in the center of the image recall the divine messengers of chapter 14. They proclaim judgments, promote the everlasting gospel, and warn of the hour of harvest. Their position in the sky and the luminous aura around them symbolize their transcendent role and direct connection to the divine.
- Doctrine of Awakening: Angels can be seen as archetypes of awakened consciousness, which invites humanity to recognize its divine nature and participate in the great cosmic cycle of judgment and redemption, they can be seen as archetypes of higher awareness, carrying truths essential to the elevation of the soul.
- Negative theology: Here angels are not defined by a precise nature, but rather by what they represent — the mystery of the divine will that manifests itself without being fully comprehensible.
2. The pastoral scene and the harvest
The verdant land and the harvest in the foreground highlight the idea of a duality between the earthly and celestial dimensions. The act of harvesting symbolizes the final judgment, where what is mature (spiritually) is separated from what is not.
- Doctrine of Awakening: This harvest can be interpreted as the fruit of the spiritual path, a symbol of inner awakening that leads to integration with the divine.
- Negative theology: The act of harvesting is not described in detail, reflecting the unspeakable and unfathomable nature of divine judgment. What is important is not to understand the criteria, but to accept the mystery of the process.
3. The light and the celestial song
The light that permeates the image is omnipresent, and one can guess a reference to the song of the 144,000, described as a unique and unmistakable sound. Light itself becomes a language that conveys the communion between heaven and earth.
- Doctrine of Awakening: Light represents spiritual awakening, the moment in which the individual overcomes the separation between self and the divine, entering a luminous and harmonious reality.
- Negative theology: Light cannot be fully described; it is both manifestation and absence, a symbol of the unfathomable divine essence.
4. The cosmic bond
The elements of the sky —moons, stars, and a fiery sky— indicate that the Apocalypse is not just an earthly event but a cosmic moment. The involvement of the universe suggests that judgment and redemption are universal, transcending time and space.
- Doctrine of Awakening: The universe becomes a stage for ultimate realization, in which the macrocosm and the microcosm are reflections of the same spiritual path.
- Negative theology: Even the cosmos cannot be fully understood; it is the theater of a mystery that transcends human perception.
The image offers an intense visual representation of Revelation 14, which through the doctrine of revival is presented as an invitation to participate in the path of inner transformation. At the same time, negative theology reminds us that, despite the beauty and symbolism, the ultimate reality of these events remains shrouded in mystery, inviting us to an attitude of silent and trusting contemplation.
Revelation 14:1-5: The Lamb and his redeemed on Mount Zion
1 And I looked, and saw the Lamb standing on Mount Zion, and with him were a hundred and forty-four thousand people, who had his name and his Father's name written on their foreheads. 2 I heard a voice from heaven like the roar of great waters, and the sound of loud thunder; and the voice I heard was like the sound made by harpists playing their harps. 3 And they sang a new song before the throne, and before the four living creatures, and before the elders. No one could learn the song except the one hundred and forty-four thousand, who were redeemed from the earth. 4 They are the ones who have not defiled themselves with women, for they are virgins. They are the ones who follow the Lamb wherever he goes. They have been redeemed from among men to be firstfruits to God and to the Lamb. 5 No lie was found in their mouths: they are blameless.
The image is a visual representation of the biblical passage from Revelation 14:1-5.
* Jesus Christ (the Lamb): In the center of the image, in a prominent position, we find Jesus Christ, represented as the Lamb of God. His figure is enveloped in an intense light and his arms are open in a gesture of blessing and welcome.
* I 144,000: At Jesus' feet, on a mountain, stands a great crowd of people. According to the Apocalypse, there are 144,000, a symbolic number representing the redeemed of Israel. They are dressed in white, a symbol of purity and holiness, and bear the name of the Lamb and the Father on their foreheads.
* Angels: Around Jesus and the 144,000, countless angels move. They are depicted with bright wings and serene faces, and create an atmosphere of joy and celebration.
* Mount Zion: The scene takes place is Mount Zion, a symbolic place that in the Bible represents the city of God, the place of salvation and perfection.
* The light: The entire scene is enveloped in a bright and colorful light, symbolizing the divine presence and the glory of heaven.
The image captures the mystical and joyful atmosphere described in Revelation 14. It represents the moment when the redeemed, that is, those who have accepted Jesus Christ as Savior, are in the presence of God.
* The Victory: The scene conveys a sense of victory and triumph over evil. The 144,000, having endured trials and tribulations, have finally reached their final destination.
* Communion: The image emphasizes the deep communion that exists between the redeemed and God. They are united in one chorus of praise and worship.
* Hope: The image offers a vision of hope for believers. It shows that at the end of the story, there will be a new creation, a perfect world where peace and justice will reign.
Symbolism:
* White: Symbolizes purity, holiness, and new life in Christ.
* Light: Represents God's presence, truth, and knowledge.
* The mountain: Symbolizes stability, solidity and spirituality.
* Angels: They are messengers of God and serve to emphasize the sacredness of the moment.
The interpretation of Revelation 14:1-5 through the lens of the doctrine of revival and negative theology requires a symbolic and transcendental approach, which privileges the inner experience over the letter of the text.
The document
1. Mount Zion with the Lamb and the 144,000 marked with the Name of God on the forehead.
2. The new song that only the 144,000 can learn.
3. The purity of the 144,000, called "virgins," and their following the Lamb wherever he goes.
4. The absence of lies and their spiritual perfection.
The doctrine of revival invites us to read these images as symbols of inner states that can be reached through a spiritual path:
1. Mount Zion: represents the peak of consciousness, the highest point where the soul unites with the divine. It is a symbol of spiritual realization.
2. The Lamb: figure of the sacrificial principle and of egoic renunciation. To follow the Lamb is to abandon the illusion of the self in order to conform to the transcendent principle.
3. The 144,000 signed: a symbolic number that represents the totality of the elect, those who, through awakening, have managed to transcend duality and live in the full presence of the divine. The "Name of God on the forehead" indicates the awareness of the ultimate Truth imprinted in the being.
Negative theology shifts the focus to the absolute transcendence of God, beyond any positive description:
1. The new song: it is not an audible or definable song, but the ineffable experience of communion with the Absolute. Its inaccessibility to the non-elect emphasizes the transcendence of this reality, which can only be lived, not explained.
2. Virginity and the absence of lies: these are not physical or moral qualities, but symbols of purified interiority, emptied of all identification with the finite. Purity is the negation of everything that is not God, a return to the essential.
3. Follow the Lamb: indicates a path of continuous renunciation, where every attachment is denied in order to remain open to the encounter with the Mystery.
In this passage, Mount Zion becomes the symbolic place of self-realization, where the being, after renouncing all worldly attachments (Lamb), recognizes himself in his true nature (the Name of God). The 144,000 are nothing more than archetypes of the totality of the awakened, those who have transcended the phenomenal world and settled into the Mystery of the Absolute.
The apophatic interpretation reminds us that everything described in the passage cannot be understood through reason, but only through a direct experience that transcends language and concepts.
Revelation 14,6-13: Three angels proclaim God's judgments
6 And I saw another angel flying in midheaven, bearing the everlasting gospel to preach it to them that dwell on the earth, to every nation, and tribe, and tongue, and people. 7 He said with a loud voice, "Fear God and give him glory, for the hour of his judgment has come. Worship him who made the heavens, the earth, the sea, and the fountains of waters."
8 Then a second angel followed, saying, "Babylon the great has fallen, and fallen, and has made all the nations drink the wine of the wrath of her harlot."
9 A third angel followed, saying in a loud voice, "Whoever worships the beast and his image, and takes the mark of the beast on his forehead or on his hand, 10 he also shall drink the wine of God's wrath poured out pure into the cup of his wrath; and he will be tormented with fire and brimstone before the holy angels and before the Lamb." 11 The smoke of their torment rises forever and ever. Whoever worships the beast and his image, and takes the mark of his name, has no rest day or night.
12 Here is the steadfastness of the saints who keep the commandments of God and faith in Jesus.
13 And I heard a voice from heaven saying, "Write, 'Blessed are the dead who die in the Lord from now on. Yes, says the Spirit, they rest from their labors because their works follow them."
The image depicting three angels proclaiming God's judgments offers an evocative visual representation of a key passage in the Apocalypse.
Key elements of the image:
* Three angels: They take center stage, bathed in bright light and with outstretched wings. Each of them holds an object or makes a gesture that refers to one of the three messages they proclaim.
* The eternal gospel: One of the angels, often represented in the center, holds an open scroll or book, a symbol of the eternal gospel, or the message of salvation that God offers to all men.
* God's judgments: The other two angels, through gestures or instruments, announce the divine judgments that will befall the world. These judgments can be represented symbolically, for example through a cup, a trumpet or a sword.
* The crowd: Below, at the feet of the angels, you can see a crowd of people listening to their messages. Their reactions can be different, depending on the message they are hearing: some may be terrified, others repentant, others indifferent.
* The background: The background is often a dramatic landscape, with stormy skies, ruined cities, or ominous mountains, emphasizing the gravity of the messages announced by the angels.
This visual representation captures the essence of the message of Revelation 14:6-13. Angels, divine messengers, proclaim a message of hope (the eternal gospel) but also of judgment for those who refuse to accept this message. The image emphasizes the centrality of the word of God in the history of humanity and the importance of choosing between life and death, between God and evil.
Symbolism:
* Angels: They symbolize God's power and majesty, as well as his active presence in the world.
* The Gospel: It represents the good news of salvation and the invitation to conversion.
* Judgments: Symbolize divine justice and the consequences of sin.
* The crowd: Represents humanity as a whole, called to take a stand before the divine message.
The image of Revelation 14:6-13 has been interpreted in different ways over the centuries. For some, it is a warning to humanity to repent before it is too late. For others, it is an image of Christ's final victory over evil. In any case, this scene is a powerful reminder of individual responsibility before God's message.
The image invites us to reflect on our relationship with God and with his word. It reminds us that we are called to make a decision: to accept the gospel and follow Christ, or to reject his call and suffer the consequences of our sin.
Revelation 14:6-13 presents a series of visions that include three angels, each carrying crucial messages, followed by a warning for the followers of the "beast" and a blessing for the "dead in the Lord."
The text in summary
1. First angel: proclaims the eternal Gospel, inviting the inhabitants of the earth to fear God and give him glory.
2. Second angel: announces the fall of Babylon, a symbol of corruption and worldliness.
3. Third angel: warns those who worship the beast and receive his mark, describing their eternal sufferings.
4. Patience of the Saints: An exhortation to perseverance and faithfulness to God and his commandments.
5. Blessing of the dead in the Lord: promise of rest and reward for their works.
The doctrine of revival reads this passage as an invitation to spiritual awakening and the transcendence of egoic existence:
1. The eternal Gospel (First Angel): represents the universal call to revival, a message that transcends time and space. To fear God and to give him glory is to recognize the ultimate reality and to abandon identification with the transitory.
2. The Fall of Babylon (Second Angel): Babylon is the symbol of attachment to worldly illusions. Its fall represents the liberation of the soul from the bondage of the ego and the phenomenal world.
3. The Beast and the Mark (Third Angel): To worship the beast is to identify with the illusory world and the lower self. The mark represents the imprint of samsara (the cycle of suffering). The admonition is a call to free oneself from this slavery through spiritual practice.
4. The patience of the saints: perseverance recalls the importance of the inner journey, often long and tiring, which leads to awakening. The saints represent those who have maintained discipline and fidelity to the Truth.
5. The blessing of the dead in the Lord: death is not only physical, but spiritual; the "dead in the Lord" are those who have "killed" the ego, finding rest in Self-realization.
Negative theology interprets the passage by emphasizing the absolute transcendence of the divine message and the reference to the experience of the Mystery:
1. The eternal Gospel: the "fear of God" is not an earthly fear, but a reverential openness in the face of an inaccessible Mystery. It is not possible to define what God is, but only to deny what he is not.
2. The fall of Babylon: it is not only the end of a city, but the dissolution of everything that claims to define or contain the Absolute. Babylon, in its presumed greatness, is the antithesis of the divine Mystery.
3. Eternal torment: the idea of suffering is an apophatic symbol of separation from the Absolute, rather than a concrete description. Torment is the result of identification with the finite, which denies the possibility of participating in the infinite Mystery.
4. The patience of the saints: perseverance is the negation of any expectation or desire for results, a total abandonment into the hands of the Mystery.
5. Blessing: "rest" is not a definable state, but the result of liberation from the self, a state of complete negation that opens up to the encounter with the ineffable.
Revelation 14:6-13, read through the doctrine of revival and negative theology, invites us to a life characterized by the renunciation of worldly illusions (Babylon and the beast) and openness to the divine Mystery (eternal Gospel). The saints represent the archetypes of the spiritual path, which culminates in the realization of a truth that transcends all description.
The admonition against the mark of the beast and the promise of rest for the saints are not to be understood as dualistic oppositions, but as aspects of a single reality: the illusion to be denied and the Mystery to be embraced.
Revelation 14,14: The Son of Man on a white cloud
Then I looked and saw a white cloud; and on the cloud sat one like a son of man, who had a golden crown on his head, and a sharp sickle in his hand.
1. First panel: It could represent the initial vision of the apostle John, who sees the Son of man on a white cloud. The atmosphere seems calmer and more contemplative, with a focus on the figure of Christ and his arrival.
2. Second panel: This panel could represent a later phase of the vision, in which the figure of Christ becomes brighter and more majestic, surrounded by divine glory. There are celestial symbols.
3. Third panel: Here the reaction of the crowd to the vision of Christ could be represented. There may be expressions of awe, fear, joy, or adoration, depending on how you interpret the verse.
4. Fourth panel: This panel could represent the impact of vision on the earth. There may be elements that suggest cosmic changes, catastrophes or miraculous events, in line with the most apocalyptic interpretations of the verse.
Interpretations of Revelation 14:14:
* The Parousia: The most common interpretation associates this verse with the Parousia, or the second coming of Christ on earth at the end of time. Christ, on a white cloud, comes to judge the living and the dead.
* A past event: Some scholars argue that this verse refers to a historical event that has already happened, such as the destruction of Jerusalem or the ascension of Christ.
* A spiritual event: Others interpret this verse in a more spiritual sense, as a mystical experience or an inner revelation.
Symbolism:
* The white cloud: It symbolizes divine glory, the majesty of God and the transformation that takes place in the person of Christ.
* The Son of Man: It is one of the many denominations of Jesus Christ in the Gospels, and emphasizes his human and divine nature.
* The sickle: Symbolizes divine judgment and the separation between the righteous and sinners.
Revelation 14:14 is a very meaningful verse and has given rise to different interpretations over the centuries. In general, this verse invites us to reflect on eschatological hope, that is, on hope in the coming of the Kingdom of God and in the definitive realization of the plan of salvation.
The four panels offer a visual representation of this theological mystery. He invites us to contemplate the majesty of God, the hope of salvation and the importance of being ready to encounter the Lord.
Revelation 14:14 presents a powerful vision of the Son of Man appearing on a white cloud, sickle in hand, ready to reap the harvest of the earth. This passage is rich in symbolism, and can be interpreted in a profound way through the doctrine of revival and negative theology, with a focus on transcendence, detachment from the ego, and the realization of ultimate Truth.
Interpretation in the Doctrine of Revival
The doctrine of revival invites us to read this passage as a metaphor for the realization of the inner divine essence and spiritual maturation. The "appearance" of the Son of Man on a white cloud signals a moment of illumination, the manifestation of the Truth that is ever present, but which reveals itself in a powerful way to the soul that is ready to receive it:
1. The white cloud: the cloud symbolizes the inaccessibility and ineffability of divine experience. A cloud is also a symbol of purification, as through it the vision of the material world dissolves, leaving room for the vision of the "Mystery". The white cloud expresses the purity of spiritual reality, which cannot be fully understood through the rational mind.
2. The Son of Man: This figure is a symbol of the awakened self, of the soul that has recognized its identity with the divine. The "Son of Man" is the universal principle that transcends individuality and represents the divine aspect hidden in every human being. It is also an image of absolute wisdom, which emerges when the individual overcomes egoic identification and realizes his transcendent nature.
3. The golden crown: symbolizes the realization of spiritual awakening, the attainment of union with the divine, which confers a "glory" that is not egoic, but rooted in the awareness of ultimate reality. Gold, a material of value and purity, represents the perfection achieved by enlightened consciousness.
4. The sharp sickle: the sickle is the tool that reaps ripe fruit. In this context, the sickle symbolizes the ability to separate what is illusory from what is eternal. The Son of Man with the sickle is reaping the "harvest" of souls, that is, those who have reached spiritual maturity. The scythe also represents the end of the cycle of samsara (cyclical suffering) for those who have attained awakening.
Negative Theology Perspective
Negative theology interprets this passage by emphasizing the mysterious and transcendental aspect of the appearance of the Son of Man, which cannot be defined or understood in human terms. The symbolism of cloud, sickle, and crown reminds us that any description of God or the divine is inadequate and that we can only approach truth through silence and the denial of every finite attribute.
1. The white cloud: As already mentioned, the cloud is the image of the inaccessible divine, which cannot be contained in our rational understanding or experience. Any attempt to describe God in words is doomed to failure. The white cloud invites us to recognize our limit in understanding the Absolute and reminds us of an apophatic vision: what God is not.
2. The Son of Man: the figure of the "Son of man" is a symbol of the Infinite Principle that appears as a manifestation of God, but cannot be reduced to a simple human identification. Its identity is beyond comprehension and transcends any category of finite being. Negative theology leads us to understand this figure as a presence that is, but cannot be described, an emanation of the divine Mystery that belongs neither to this reality nor to the other.
3. The sickle: The sickle symbolizes the final separation between what is ephemeral and what is eternal. It is an act of absolute purification, which separates the soul from the realm of illusions. Negative theology, which rejects any form of finite "knowledge," interprets the scythe as the definitive cut between limited perception and the mystical vision of Unity.
4. The Golden Crown: The crown is the negation of ego dominance. The true "crown" is not a property of the individual, but is the manifestation of the absolute that is revealed only when the ego dissolves. The crown is not something that can be conquered, but only "accepted" when the individual renounces identification with the finite self and opens up to infinity.
Symbolic-spiritual synthesis
Revelation 14,14 presents us with a vision of spiritual liberation: the Son of Man on a white cloud is the representation of the realization of the divine within the soul, an apparition that is neither concrete nor describable, but that manifests itself in the awakened heart. The golden sickle and crown suggest that, on the path of awakening, there is a process of separation (harvesting) from the illusory world and a realization of a truth that cannot be expressed in words.
This passage invites a deep spiritual maturation, which transcends the ego and finite mental structures. The white cloud, the sickle and the golden crown are symbols of an experience that cannot be understood through the ordinary mind, but only through a direct experience of the realization of the divine that goes beyond description.
Revelation 14:15-20: The harvest and the harvest
15 Another angel came out of the temple, crying with a loud voice to the one who was sitting on the cloud, "Put your hand to your sickle and reap; for the hour of reaping has come, for the harvest of the earth is ripe." 16 He who was seated on the cloud threw his sickle upon the earth, and the earth was reaped.
17 And another angel came out of the house of the house which is in heaven. he too had a sharp sickle. 18 And another angel, who had power over the fire, came out of the altar and cried out with a loud voice to the one who had the sharp sickle, "Put your hand to your sharp sickle and gather the grapes of the vineyard of the earth, for its grapes are ripe." 19 And the angel threw his sickle upon the earth, and gathered the vineyard of the earth, and threw the grapes into the great wine-pot of the wrath of God. 20 The vat was pressed out of the city, and so much blood came out of the vat that it reached the bit of horses, a distance of sixteen hundred stadia.
The image represents a visual interpretation of Revelation 14:15-20, focusing on the symbols of the harvest and the grape harvest, which appear in this passage as powerful metaphors of divine judgment and eschatological fulfillment.
Symbol Analysis
1. Winged celestial figure with crown:
- It probably represents Christ or an angel delegated to the final judgment. The crown signifies royal authority and divine victory, in line with Christ's role as King and Judge in Revelation.
- The wings symbolize transcendence and connection with the divine.
2. The press and the wine that flows:
- The grape harvest, described in Revelation 14:19-20, depicts divine judgment. The wine press is a symbol of God's justice, while the flowing wine evokes the blood of the wicked, a dramatic representation of the final judgment.
- The blood that overflows from the press recalls the words of verse 20, where it is said that the blood came out to the harness of the horses.
3. Vineyard landscape at sunset:
- The context of vineyards emphasizes the idea of ripening and harvesting, a symbolic image of the time accomplished and the separation between the righteous and the wicked.
- The sunset could represent the end of an era or the imminence of judgment.
4. The Cup:
- The cup in the center, filled with wine (or blood), may allude to the cup of divine wrath mentioned in other passages of Revelation.
The scene is a vivid depiction of eschatological judgment, with a strong emphasis on divine justice. The harvest and the grape harvest symbolize two distinct moments of judgment:
- The harvest (verses 15-16): represents the gathering of the righteous, often associated with ripe wheat ready to be harvested.
- The grape harvest (verses 17-20): symbolizes the punishment of the wicked, whose fate is expressed through wine squeezed from the press.
This image invites us to reflect on the duality of judgment:
- The fulfillment of the divine plan: The harvest represents a moment of jubilation for the righteous, who see the fulfillment of the divine promise.
- The inevitability of judgment: The grape harvest emphasizes the seriousness of God's justice and the urgency of conversion.
Conclusion
The depiction of the conclusion of "Revelation 14" shows a radiant and surreal sky full of vibrant colors, symbolizing celestial music and divine presence. In the center, a luminous figure of light representing an angel, emanating a warm golden aura, holding a harp-like instrument in his hand. The angel is surrounded by swirling clouds that seem to resonate with energy and light. Below, a serene landscape with rolling hills bathed in twilight tones of purple and orange, dotted with people gazing in awe upwards. The sky is illuminated by rays of celestial light, with abstract notes and symbols subtly integrated into the clouds.
At the heart of Revelation 14 there is an invitation to transcend the limits of the visible and the speakable, to enter into harmony with a reality that resonates beyond time and space. The song of the 144,000 is not only a celestial melody, but a symbol of ultimate realization, where the human being, purified and awakened, merges with divine harmony. The celestial symphony unfolds as an invitation to awaken, where the song of heaven is not just a sound, but an inner call. John's vision takes us beyond the limits of language, towards an experience of pure transcendence.
In the context of the doctrine of awakening, this chapter becomes a symbol of the transition from the illusion of time and matter to the realization of the eternal present. The 144,000, with their unique song, represent not only a redeemed humanity, but the soul that, freed from the chains of the ego, unites itself harmoniously with the supreme Truth. The doctrine of awakening guides us to recognize that the path described is not a simple sequence of eschatological events, but an inner map for those who aspire to liberation.
Negative theology teaches us that what emerges cannot be fully expressed in human terms: the "new song" is a vibration of the Spirit, an echo of the Logos, which calls the soul to recognize its true nature beyond duality. Negative theology reminds us that everything that is described—the song, Mount Zion, the Lamb—are figures that point to a reality beyond all images and concepts. The celestial song, then, is the silence in which the authentic Self recognizes the Divine, not as an object to be contemplated, but as the inexpressible source of being.
Revelation 14, then, is not just a prophecy, but an invitation to awaken to the mystery that lies behind symbolic language. It is a song that silently calls to all those who are ready to listen to it and to follow the path towards the ineffable. To respond to that song is to abandon all identification with that which is transitory, to discover the eternal truth that resonates in the heart of awakening. In this journey into the heart of Revelation 14, we are invited to recognize that the song of heaven is not distant: it resounds in us every time we open ourselves to the mystery and allow ourselves to be transformed by the Light that illuminates everything.
Summary
When the Heavens Sing: A Journey to the Heart of Revelation 14
Revelation 14:1-5: The Lamb and his redeemed on Mount Zion
Revelation 14,6-13: Three angels proclaim God's judgments
Revelation 14,14: The Son of Man on a white cloud
Revelation 14:15-20: The harvest and the harvest
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