A vertical illustration inspired by "Revelation 17", depicting symbols of spirituality and judgment. In the center, a symbolic figure with a royal purple and gold robe, holding a golden chalice, representing decadence. The figure is positioned in front of a dramatic landscape, with dark mountains on the horizon and a sky divided between stormy clouds and a golden glow in the distance, symbolizing hope and redemption. In the background, an ancient city with elements of ruin and decadent opulence, illuminated by red and orange tones. The scene is pervaded by strong contrasts of light and shadow, with realistic details and an atmosphere that recalls biblical spirituality.
Revelation 17: Symbols of Spiritual Fall and Ascent
In Revelation 17: Symbols of Spiritual Fall and Ascension we explore the powerful symbolism of the "great prostitute" and the waters on which she sits, unveiling their deep meaning in the process of inner transformation. Through the lens of the doctrine of awakening, we analyze how the fall of corrupt structures is a prelude to spiritual liberation. Negative theology guides us beyond appearances, revealing that only in the void left by destruction can we glimpse the ascent towards a transcendent Truth. A journey through symbols and metaphors that leads us to rediscover the light in the shadows and the rebirth in the fall.
Summary
Revelation 17: Symbols of Spiritual Fall and Ascent
Introduction: The Fall of Babylon, the Great
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Introduction: The Fall of Babylon, the Great
Chapter 17 of Revelation opens with powerful and disconcerting images: an enigmatic figure, the "great prostitute," sits on many waters, weaving symbols of power, corruption, and mystery. But what lies behind this cosmic drama? Through the lens of the doctrine of revival, this chapter is not just a narrative of destruction, but a call to recognize the fall as a necessary step toward inner freedom.
Negative theology invites us to descend into deep silence, beyond superficial representations, to grasp the highest spiritual meaning. In these lines we will find an invitation to deconstruct the illusions that bind us and to see, in the void left by their dissolution, the seed of an ascent towards unity and fullness. Revelation 17 is not just a story of the end, but the prelude to a spiritual rebirth that transforms shadow into light.
1 Then one of the seven angels who had the seven bowls came and said to me, "Come, I will show you the judgment that belongs to the great harlot who sits on many waters. 2 The kings of the earth have fornicated with her, and the inhabitants of the earth have been drunk with the wine of her harlot."3 He carried me in spirit into the wilderness;
The three panels inspired by Revelation 17:1-3a, depict a majestic woman dressed in luxurious purple and scarlet dresses, adorned with gold and jewels. He sits on top of a monstrous beast with seven heads and ten horns, its body covered with blasphemous inscriptions. The woman holds a golden cup full of abominations and impurities, symbolizing her power. The background depicts desolate nature under a dark, menacing sky, with faint rays of light bursting through the clouds, creating a dramatic contrast. The composition emphasizes the mystery and majesty of the woman and the beast, with surreal lighting illuminating their forms.
Panel 1
A female figure in sumptuous clothing is seated on a beast, which recalls the description of "a scarlet beast full of blasphemous names". The beast has many heads and horns, with an eerie and gloomy landscape in the background. Elements of apocalyptic symbolism, such as goblets and flames, mingle with the scene.
Here is pictured the "woman" of Revelation 17, a symbol of spiritual corruption and idolatrous power, associated with the prostitute of Babylon. The golden chalice he holds in his hand represents wealth and seduction, but it is filled with "abominations".
This panel introduces the idea of the conflict between divine power and earthly decay. The choice of bright colors and the contrast between luxury and destruction reinforce the theme of duplicity.
Panel 2
The female figure herself takes center stage, with a more intense aura. The beast appears more dynamic and menacing, highlighting symbolic details such as wings or snake-like elements. The apocalyptic atmosphere is enhanced by stormy skies and a central light that dominates the landscape.
This panel seems to accentuate the bond between the woman and the beast, representing their union as a destructive force and a symbol of a decadent and oppressive global system.
The composition invites the viewer to reflect on the relationship between corruption and earthly power, highlighting the centrality of this union in the apocalyptic drama.
Panel 3
The woman and the beast are represented again, but in a more static pose. In the background, two human figures observe the scene, while elements of devastation, such as skulls and ruins, fill the landscape.
The inclusion of human observers suggests the role of the prophetic witness, who could be John himself (author of the Apocalypse). The static nature of the scene can represent the imminent judgment or the transition towards the collapse of the system represented by the woman and the beast.
This panel closes the cycle of reflection, bringing attention back to the role of humanity in interpreting and reacting to apocalyptic events.
The entire visual triptych represents the essence of Revelation 17:1-3a:
The woman symbolizes Babylon, the symbolic city of idolatry and oppression.
The beast embodies the corrupt political and spiritual power that sustains Babylon.
The backgrounds evoke the inevitable destruction of the system represented.
The artist vividly captures the tension between beauty and decadence, between power and fall. The use of visual symbols recalls the visionary language of the Apocalypse, which invites deep spiritual discernment. The panels emphasize the impermanence of earthly power and the hope in a liberating divine judgment.
3 And I saw a woman sitting on a scarlet-colored beast, full of names of blasphemy, and having seven heads and ten horns. 4 The woman was clothed in purple and scarlet, adorned with gold, precious stones, and pearls. In his hand he had a golden chalice full of abominations and the filth of his prostitution. 5 On her forehead was written a name, a mystery: BABYLON THE GREAT, THE MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH. 6 And I saw that the woman was drunk with the blood of the saints and the blood of the martyrs of Jesus.
A symbolic painting inspired by Revelation 17:3b-6a, depicting an imposing woman seated on a scarlet beast with seven heads and ten horns. The beast is covered in blasphemous names, its form is both menacing and surreal. The woman is dressed in luxurious purple and scarlet colored dresses, adorned with gold, precious stones, and pearls, which exude an aura of wealth and authority. He holds in his hand a golden cup, full of abominations and impurities, symbolizing corruption. His expression is proud and enigmatic, with an air of mystery. The background shows vast wilderness under a dark, stormy sky with ominous tones of red and black, creating a dramatic and eerie atmosphere. The light subtly illuminates the woman and the beast, emphasizing their dominant position in the scene.
The woman seated on the scarlet beast evokes a corrupt and decadent figure of power, who reigns in complicity with an equally sinister force. The scarlet beast is associated with political or spiritual power contrary to God, represented by an entity with seven heads and ten horns, symbols that recall evil perfection and the fullness of authority. The woman is dressed in purple and scarlet, colors of luxury, royalty and sin, accentuated by the jewels and the golden cup she wears, a sign of her seduction and spiritual contamination.
Thematic analysis
1. Woman as a symbol of Babylon
The woman is identified as "Babylon the Great," an archetype of the corrupt city that opposes the divine plan. Babylon represents the decadent world system that is based on power, luxury, and moral perversion. Her description as the "mother of prostitutes" emphasizes her ability to generate other forms of corruption and idolatry.
2. The beast as a force opposed to God
The beast, with its blasphemous names, symbolizes the political-religious power that stands against God. The seven heads can recall the seven hills of Rome (often interpreted as the historical context of the Apocalypse) or the seven phases of an ungodly reign, while the ten horns suggest shared authority with other powers.
3. Drunk on the blood of the saints
The woman who gets drunk on the blood of the martyrs highlights the systematic persecution of the people of God. It is an image of cruelty and contempt for holiness, a further sign of his complete detachment from divine justice.
Spiritual interpretation
From a theological perspective, the scene invites us to reflect on the contrast between the Kingdom of God and the worldly powers that oppose His plan. The woman and the beast embody the culmination of opposition to God, but their fate is marked by destruction, as can be seen from the following chapters.
From the point of view of the doctrine of revival, this image can be read as a warning against the allure of worldly appearances. The seductive woman represents the bond of the soul to material illusions, which distance us from direct knowledge and transcendent essence. His "drunkenness" becomes a metaphor for the state of those who let themselves be overwhelmed by worldly desires and fears.
In an apophatic key, the figure of the woman can be seen as a symbol of the absolute negation of the Divine, a reflection of all that God is not. In this vision, Babylon is the antithesis of divine unity: a confused multiplicity, devoid of center and harmony.
Simultaneous application
The image is an invitation to discern the dynamics of today's world, where power, luxury and idolatry continue to exert a strong attraction. The spiritual challenge for the believer is to identify the modern "Babylons" and resist their call, keeping their gaze fixed on transcendent reality and on the path towards union with the divine.
6b When I saw it, I marveled with great wonder. 7 The angel said to me, "Why are you amazed? I will tell you the mystery of the woman and the beast with the seven heads and the ten horns that she bears.
Panel 1
The woman appears majestic and regal, wearing a red dress, with an aura of power and a golden cup in her hand, seated on a beast with many heads and ferocious features, similar to a lion. In the background you can see waters and angelic figures.
The red symbolizes sin, passion, and earthly power, while the golden cup recalls the "cup of abomination" mentioned in Revelation 17:4. The beast represents political powers or kingdoms, while the waters suggest the global influence of the woman.
The scene conveys the fascination of evil, which amazes for its greatness, reflecting John's amazement ("I marveled at great wonder"). The woman's golden aura could symbolize false glory.
Panel 2
The focus shifts to the terrifying aspect of the beast. Its many heads emerge forcefully, with demonic wings and intricate details. The woman maintains her triumphant posture.
The seven heads of the beast, later described as "seven kings" (Revelation 17:9-10), represent multiple powers or sovereignties. The wings symbolize speed and spread.
The image emphasizes the duality between the woman's control and the chaos below, a reminder of the mystery that the angel explains to John: the apparent domination is fleeting.
Panel 3
The scene becomes more dynamic, with movements that seem to emerge from the beast and the woman. The red of the dress blends with the flames and the surrounding darkness. The beast's heads look more threatening.
Dynamic and chaotic energy represents the unstable nature of earthly power and its imminent end. The fire could allude to divine judgment.
This panel conveys a sense of transience and impending destruction, consistent with the fate of the "great prostitute" described later in Revelation 18.
Panel 4
The woman and the beast appear central and balanced. The angels observe, while the woman dominates serenely, as if she had conquered everything.
The apparent triumph of the woman and the beast is an illusion. The angels represent the coming judgment. This balance could symbolize the pinnacle of earthly power before the fall.
The last panel seems to be an invitation to reflect on the deception of earthly power and the reality of divine judgment, anticipating the end of the vision.
Overall reflection:
The sequence of panels seems to trace the cycle of attraction, domination, chaos, and judgment described in Revelation 17. The art highlights the contrast between the apparent magnificence of the woman and the beast and their real corrupt and transient nature. The angel who addresses John emphasizes the need not to be deceived by appearances: the mystery is symbolic and requires spiritual discernment.
The beast you saw was, and is not; it must ascend from the abyss and go to perdition.
The image presents an apocalyptic landscape, dominated by a dark and stormy sky. In the center, a demonic figure stands towards a glowing opening, surrounded by other hellish creatures. The atmosphere is charged with tension and darkness, with a sense of impending catastrophe.
* The beast that rises from the abyss: The central demonic figure can be interpreted as the "beast" mentioned in the verse. The act of "ascending from the abyss" suggests an infernal origin and an evil nature. His ascent to the light can be seen as an attempt to challenge divine power, but it is doomed to failure, as indicated by his future perdition.
* The abyss as the place of origin of evil: The abyss is often associated in religious traditions with a place of darkness and imprisonment for the forces of evil. In the image, the abyss is the starting point of the beast, emphasizing its demonic nature.
* Perdition as an inevitable fate: The verse states that the beast "must go to perdition." The image, with its gloomy atmosphere and demonic figure doomed to failure, reinforces this idea. Perdition is visually represented by the presence of the other infernal creatures and the general atmosphere of chaos and destruction.
* The contrast between light and darkness: The light coming from above creates a strong contrast with the darkness that envelops the scene. This contrast can be interpreted as the eternal struggle between good and evil, between divine light and hellish darkness.
The verse of Revelation 17:8a is part of a rich and complex symbolic context, which deserves a thorough analysis, especially if we consider it in the light of the doctrine of revival and negative theology.
In chapter 17, the author of Revelation, John, describes a vision of a "woman clothed in purple and scarlet" sitting on a beast, with seven heads and ten horns. This symbol of the beast, which is both an expression of power and corruption, is linked to worldly kingdoms and rulership over God's people. The beast represents, in this case, evil that manifests itself in earthly forms, but also a force that transcends time and history.
The phrase "was, and is not; it must rise from the abyss and go to perdition"* suggests a temporal and ontological paradox that can be explored in depth:
1. "Was": This implies that the beast had an existence in the past. We could interpret it as a reference to powers and structures of oppression that dominated in past eras. The beast is not just a force that emerges suddenly, but has roots in the past, with a history of corruption and destruction.
2. "It is not": The beast, although still present symbolically, has lost its active force. His authority and power seem to be reduced or temporarily disappeared. This can be seen as a representation of a cycle of death and rebirth, which is typical of the manifestations of evil in history, but with the promise that evil itself is destined for a definitive decline.
3. "He must come up from the abyss": The abyss is symbolic of a place of disorder and destruction, but also a source of dark power. This suggests that the beast is not just a past force, but that evil is about to re-emerge, perhaps in a new form or with renewed power. His ascent from the abyss represents a manifestation of evil that, unfortunately, is destined to reassert itself in history, bringing with it chaos and suffering.
4. "And go to perdition": Despite its temporary rise, the beast's final destiny is already predetermined: perdition. This alludes to the end of evil, to its definitive destruction, to the purification that will come at the moment when the divine plan is fulfilled. Perdition is an inevitable fate, symbolizing divine justice that, in the end, will triumph.
Perspective of the Doctrine of Revival
From an awakening perspective, the verse could be seen as a reflection on the cycle of the human mind and its illusions. The beast that "was, and is not" may represent an aspect of the ego or of the forces that prevent us from awakening. These illusions may seem powerful and dominant in the past, but in the end they have no substance, they are destined to vanish.
The process of "rising from the abyss" could symbolize the resurrection of these illusions or negativity during moments of confusion or inner crisis. However, as in any awakening process, they are destined to be overcome, to enter a process of perdition, in which ego and falsehood are finally dissolved, leaving room for truth and self-realization.
Negative Theology Perspective
Negative theology can interpret this verse as a symbol of the contrast between "being" and "non-being." The beast, which was (in a certain sense exists, but not in the full sense) and is not (existence that is not authentic or complete), could be read as an allegory of evil which, although it appears powerful in the world, has no true divine essence. Its ascent from the abyss and its inevitable perdition suggest that, although it seems to temporarily prevail, evil lacks a solid ontological basis and will eventually disappear.
Revelation 17:8a not only describes the beast as a symbol of oppression and corruption, but invites us to reflect on the transience of evil and its inevitable destiny of annihilation. From the perspective of the doctrine of revival, this verse can be interpreted as an indication that negative or egoic forces, despite appearing permanent, are destined to dissolve with self-realization and inner awakening. In negative theology, the verse highlights the vanity and inconsistency of evil, which although it exists in the world, has no substance or intrinsic value.
The inhabitants of the earth, whose name has not been written in the book of life since the foundation of the world, will marvel at seeing the beast because it was, and is not, and will come again.
The following four distinct panels can offer a description, analysis and theological commentary based on the reference to Revelation 17,8b.
First panel:
An apocalyptic image dominated by a demonic figure towering over the Earth, surrounded by rings similar to those of Saturn. The scene evokes destruction and the domination of the beast over the entire world.
The centrality of the Earth and the image of the beast recall the idea of the universal dominion of evil, but also its temporary nature. The ring surrounding the planet could symbolize spiritual imprisonment or the karmic cycle.
Second panel:
The beast appears at the center of a devastated landscape, while human figures, naked and vulnerable, are found around it in attitudes of amazement, terror or veneration. The beast seems to be an emblem of earthly power and seduction.
Humanity is represented in a state of vulnerability, fascinated and powerless in the face of the beast. This panel seems to emphasize the seductive power of evil and the beast's ability to deceive.
Third panel:
The beast is shown with an expression of triumph, surrounded by cosmic symbols and scriptures, highlighting the connection between the spiritual aspect and the cosmos. In the background, a representation of the abyss, which recalls the prophecy of the "return" of the beast.
The cosmic representation suggests that the conflict is not only earthly, but concerns the entire cosmic order. The figure of the beast as central to the universe emphasizes the universal scope of its influence.
Fourth panel:
The central figure of the beast holds a book open, probably the "book of life". There are human figures at his feet, witnesses of the revelation of his power. Celestial elements, such as planets and stars, complete the scene.
The book of life is a powerful symbol of judgment and separation. The beast that holds it open could symbolize its falsification or its inability to truly control its contents.
Theological analysis
The verse of Revelation 17,8b describes the beast as a mysterious entity, which arouses wonder for its paradoxical state: "it was, and it is not, and it will come again". This cycle reflects a profound symbolism:
The beast as an archetype: It represents the power of evil incarnate, capable of fascinating and deceiving humanity.
The Book of Life: The distinction between those who are written in the book of life and the inhabitants of the earth symbolizes the separation between the righteous and those who are dominated by the world.
The cyclical nature of the beast's existence: "It was, and is not, and will come again" highlights a continuous struggle between good and evil, a central theme in the Apocalypse.
Final Reflection
The entire composition invites us to meditate on the fragility of the human being in the face of evil, but also on the certainty that it is destined to an end, according to the divine plan. The return of the beast, "which was, and is not, and will come," could be interpreted as a warning to remain vigilant and firm in the faith. The connection between the panels and Revelation 17:8b is manifested in the contrast between the wonder of the earth's inhabitants and the security of those whose names are written in the book of life.
Here we need a mind that has intelligence.
An artist's impression of the verse "Revelation 17:9a: A mind with understanding is needed here," with the text visible in the center of the image in large, clear letters. The design presents a mystical and contemplative atmosphere, with a night sky full of stars and a pensive human figure, sitting on a rock, with his back turned, looking towards the horizon. The inscription "Here is the Mind which has Wisdom", taken directly from Revelation 17:9a, is prominently placed in the center of the image. The text is written in an elegant white serif font, with a slight glow to highlight it, placed above the starry sky. The scene is illuminated by a soft light coming from the moon and reflected on the figure and the rock.
Verse analysis:
* The solitary figure: The figure seated on the rock represents the individual who possesses the "mind having understanding" mentioned in the verse. His isolated position suggests the need for an inner path and deep reflection to reach this wisdom.
* The Light: The bright light that illuminates the figure symbolizes spiritual enlightenment and divine knowledge. It represents the source of wisdom and deep understanding of the mysteries of the universe.
* The starry sky: The starry sky represents the immensity of the universe and the complexity of the mysteries that man seeks to understand. Stars can be seen as symbols of divine knowledge and truths.
* Water: Water, often associated with life and purification, can be the source of wisdom and understanding.
* The inscription: The central inscription is the key to interpreting the image. It directly connects the image to the Bible verse and emphasizes the importance of wisdom and deep understanding.
This depiction of Revelation 17.9a departs from more traditional imagery and offers a more personal and contemplative view. The emphasis is on inner research and connection to a deeper reality.
* Personalized interpretation: The image invites the viewer to reflect on their spiritual path and seek inner wisdom.
* Universal interpretation: The pursuit of wisdom is a universal theme present in many cultures and religions. This image can therefore be interpreted as a universal representation of the human condition.
Compared to more traditional representations of the Apocalypse, this image offers a more peaceful and contemplative vision. While traditional depictions often emphasize the more dramatic and apocalyptic aspects of the biblical text, this image focuses on the inner aspect of the quest for wisdom.
In conclusion, this image offers a personalized and evocative reading of the verse of Revelation 17:9a. By inviting the viewer to an inner reflection, the image reminds us of the importance of wisdom and deep knowledge to understand the world and our place in it.
9b The seven heads are seven mountains on which the woman sits. They are also seven kings: 10 five have fallen, one is, the other has not yet come; and when he has come, he must not last long.
The image features a central figure, probably a deity or a being of great power, seated on a throne placed on a mountain. This figure is surrounded by a bright light and a crown, symbols of authority and divinity. sitting atop seven towering mountains, each representing the head of a mysterious beast. In the background, an ominous dark sky, pierced by rays of divine light, casts dramatic shadows on the scene. The mountains are rugged and jagged, their peaks shrouded in mist. A faint aura shines around the woman, symbolizing her enigmatic power. Five of the mountain peaks appear split or collapsed, symbolizing fallen kings; One mountain is intact and illuminated, while the seventh mountain is faintly visible, almost like a ghost, representing his imminent arrival. A sense of divine judgment and prophecy pervades the image, with vibrant contrasts of red, gold, and deep shadows.
The image you have described evokes a scene of grandiose majesty and symbolic complexity, which lends itself to a profound analysis in relation to the passage from Revelation 17:9b-10.
Verse analysis:
* The Seven Heads and the Seven Kings: The severed heads on the mountains can be interpreted as a symbolic representation of the "seven heads" and the "seven kings" mentioned in the verse. These figures represent political or religious powers that have succeeded one another over time and are destined to fall.
* The central figure: The seated figure on the throne can be seen as a representation of a higher power dominating and controlling these earthly powers. He could be a personification of evil, oppressive political power, or a destructive ideology.
* The landscape: The harsh and stormy landscape reflects the tumultuous and violent nature of political power. The mountains represent obstacles and challenges that must be overcome in order to achieve power, while the stormy sky symbolizes the instability and uncertainty of the future.
The image offers a powerful and evocative visual representation of the concept of political power and its transience. Interpretations can vary depending on the theological, historical, and cultural perspective of the observer.
* Literal interpretation: The image can be interpreted as a literal representation of the biblical verse, offering a concrete visualization of the "seven heads" and the "seven kings".
* Symbolic interpretation: The image can be seen as a symbolic representation of the cycles of rise and fall of earthly powers. Severed heads can represent fallen political regimes or outdated ideologies.
* Allegorical interpretation: The image can be interpreted as an allegory of the conflict between good and evil, with the central figure representing the forces of evil and the severed heads representing the victims of this conflict.
11 And the beast that was, and is not, is also an eighth king, and comes from the seven, and goes away to perdition. 12 The ten horns that you saw are ten kings, who have not yet received a kingdom; but they will receive royal power, for an hour, together with the beast.
In the center of the image, a monstrous figure with multiple lion heads dominates, surrounded by a luminous halo. This creature, with its bestial appearance and majestic appearance, evokes a sense of power and terror. Around it, stands a group of human figures, wrapped in cloaks and with fiery heads, arranged in a circle as in a ritual. The background is characterized by a dark and menacing landscape, with pointed spires rising towards a stormy sky, dotted with celestial bodies.
Verse analysis:
* The beast: The central figure can no doubt be identified with the "beast" mentioned in the verse. Its multiple heads, a symbol of power and authority, recall the "seven heads" and "seven kings" mentioned in the previous verse. The creature's bestial and demonic appearance emphasizes its malicious and destructive nature.
* The Ten Horns: The human figures with fiery heads can be interpreted as the "ten horns" mentioned in verse 12. These figures represent minor powers that submit to the power of the beast, receiving temporary power from it.
* The Landscape: The dark and ominous landscape reflects the atmosphere of chaos and destruction associated with the Apocalypse. The pointed spires can represent the forces of evil rising up against good, while the celestial bodies can symbolize the cosmic order threatened by the presence of the beast.
The image offers a powerful and evocative visual representation of the concept of corrupt political and religious power. Interpretations can vary depending on the theological, historical, and cultural perspective of the observer.
* Literal interpretation: The image can be interpreted as a literal representation of the biblical verse, offering a concrete visualization of the beast and the ten horns.
* Symbolic interpretation: The image can be seen as a symbolic representation of corrupt political power and evil forces seeking to dominate the world. The beast can represent a dictator, a totalitarian regime, or any other form of oppressive power.
* Allegorical interpretation: The image can be interpreted as an allegory of the conflict between good and evil, with the beast representing absolute evil and the human figures representing individuals who allow themselves to be corrupted by power.
Description and Context
The verses of Revelation 17:11-12 are part of the vision of the judgment of the "great harlot," who sits on many waters, and of the scarlet beast. This section is highly symbolic, describing powers and systems that oppose God. The main symbols are:
1. The Beast: It is an ambiguous and complex entity, defined as "who was, and is not, and will appear again" (Rev 17:8). In this passage, the beast connects with an "eighth king", who emerges from the previous seven, but his destiny is perdition.
2. The Ten Horns: They symbolize ten kings or political powers, who have not yet acquired a kingdom but who will receive power for a short time, in alliance with the beast.
Symbolic Analysis
Verse 11:
- "The beast that was, and is not, is also an eighth king":
- This describes a cyclical and paradoxical reality. The beast represents a power that seems to disappear but returns. The reference to the "eighth king" suggests a continuity with the previous seven kings, but at the same time a distinction.
- The number eight, a symbol of new creation or beyond the natural cycle (the seventh day), here could represent a final power, the apex of rebellion against God.
- "He comes to the seven and goes to perdition":
- The eighth king is not independent, but an integral part of the series of seven, suggesting that these powers are interconnected. However, the ultimate fate of the beast is destruction, highlighting the transience and inevitable failure of any power opposed to God.
Verse 12:
- "The ten horns you saw are ten kings":
- Horns often symbolize power or authority. Here they represent ten kings, who do not yet possess a stable kingdom but will be invested with royal authority.
- "They will receive royal power, for an hour, together with the beast":
- The expression "for an hour" indicates a very short period of time, a symbol of the transience and instability of the power conferred. These kings ally themselves with the beast, emphasizing a system of complicity and rebellion against God.
Comment and Reflection
1. Paradox of the Existence of the Beast:
- The description of the beast as "that was, and is not" reflects an illusory and deceptive reality. It can be read as a critique of human or spiritual power structures that present themselves as eternal but are doomed to fail.
2. The Temporary Alliance of Kings:
- The image of the ten kings emphasizes how earthly power is often fragmented and unstable, united only in function of ephemeral goals. Their alliance with the beast represents a deviation from the divine plan.
3. A Neo-platonic and Apophatic Reading:
- The beast and kings can be interpreted as archetypes of lower powers that oppose the divine Light. The "perdition" of the beast is not just a future event, but a reflection of the intrinsic nature of evil: devoid of substance and destined to dissolve before the Truth.
4. Spiritual Implications:
- These verses challenge the reader to reflect on what they consider eternal and stable in their lives. The search for power and earthly glory is in vain and leads to perdition. Only union with the divine guarantees a destiny that transcends transience.
Application to the Doctrine of Revival
In the perspective of revival, these verses can be read as an invitation to discern between what is real and what is illusory. The beast and the kings represent manifestations of the ego and the forces that distract us from the realization of the Absolute. Their destiny of perdition symbolizes the inevitable destiny of all that is separated from the Truth.
Conclusion
The verses of Revelation 17:11-12 illustrate the transience and illusory nature of human and spiritual power opposed to God. They invite us to overcome our attachment to temporal structures and to orient our hearts towards the Lord. In the apocalyptic vision, evil seems to dominate for a short time, but its destiny is always defeat in the face of divine Truth.
Revelation 17:13-14
13 They are of the same mind, and they will give their power and authority to the beast. 14 They will fight against the Lamb, and the Lamb will overcome them, for he is the Lord of lords and the King of kings; and those who are with him, the called, the elect and the faithful, will also win."
A dramatic digital painting illustrating a biblical scene inspired by Revelation 17:13-14. In the foreground, the Lamb (symbolizing Christ) is depicted radiant and majestic, standing on a hill, emanating a divine light that pierces the dark atmosphere. Around the Lamb are faithful followers, illuminated by the glow and holding banners of faith and righteousness. On the contrary, in the distance stands a terrifying, dark and menacing beast, with ten horns and a crown, representing power and rebellion. The battlefield is dramatic, with stormy skies and lightning flashes, symbolizing the cosmic struggle between good and evil. The backdrop features mountains and a swirling, apocalyptic sky, filled with fiery reds, menacing blacks, and radiant whites that highlight the victory of the Lamb. The composition conveys hope, power, and divine triumph.
The image emphasizes the cosmic conflict between good and evil, symbolized by the Lamb and the Beast. Here is an analysis and comment:
Image description
- Left side: Dominated by the figure of a radiant Lamb and a man shrouded in white light (probably representing Christ as the Lamb of God). The light spreads towards the fiery sky, suggesting a divine and saving power. The flock of sheep represents the faithful, the "called, chosen and faithful".
- Center and background: The scene is divided in two, with a river flowing as the dividing line. The contrast between fire and darkness emphasizes the polarization of good against evil.
- Right Side: A monstrous figure in the form of the Beast appears in the sky, surrounded by dark clouds, lightning, and a terrifying aura. The followers of the Beast, in dark clothes and banners, walk towards an apocalyptic destiny.
Analysis of symbolism
1. The Lamb and His Victory:
- The Lamb, the central symbol of the biblical passage, represents Christ who triumphs over evil not by force, but by purity, love and justice. The light that surrounds him is an emblem of divine glory and truth that dispels darkness.
- The sheep at his side symbolize the faithful who, by remaining firm in their faith, share in the final victory.
2. The Beast and his coalition:
- The Beast represents the powers of the world rebelling against God, a symbol of corruption, idolatry and earthly domination.
- His followers, devoid of individuality and immersed in a dark path, embody the idea of blind submission to the powers of evil.
3. The Central River:
- It could represent the boundary between the two spiritual realities, separating the realms of God and the Beast. The river also suggests passing through trial, purification, and the possibility of choosing sides.
Theological Commentary
The passage "They have the same thought and will give their power and authority to the beast" is visually represented by the uniformity and blind obedience of the followers of the Beast. However, the verse goes on to reassure them, "The Lamb will overcome them, for he is the Lord of lords and the King of kings." This is evoked by the bright, triumphant figure in the center of the image, illuminating the surrounding chaos.
The scene reminds us that the battle is not only physical, but spiritual, and that the final victory belongs to those who remain faithful to divine truth. The "called, chosen and faithful" represent awakened humanity, those who choose the path of good despite the seduction of evil.
Personal application
This image invites us to reflect on our position in this cosmic conflict: are we among those who follow the Beast, blinded by earthly power, or among the sheep who follow the Lamb, seeking light and justice?
Revelation 17:15-17
15 Then he said to me, "The waters which you have seen and on which the prostitute sits are peoples, multitudes, nations, and tongues. 16 The ten horns that you saw and the beast will hate the harlot, and they will strip her and leave her naked, and they will eat her flesh and consume her with fire. 17 For God has put it into their hearts to carry out his purpose, which is to give their kingdom to the beast with one accord until the words of God are fulfilled.
A dramatic digital painting inspired by Revelation 17:15-17, depicting a symbolic scene of the "prostitute" sitting on tumultuous, dark waters, representing peoples, multitudes, nations, and languages. Around her are "ten horns" and a ferocious beast, showing hatred and aggression. The prostitute is shown in a state of vulnerability, symbolically "undressed" and consumed by the flames, which represent destruction. The background features a fiery, apocalyptic sky, with dark clouds swirling above. The entire scene is bathed in menacing and dramatic lighting, with stark contrasts between shadows and lights
Image description
1. The central figure:
- A woman adorned on top of the beast represents the prostitute of Babylon, a symbol of corruption, sin and the worldly system opposed to God.
- The multi-headed beast (lion, leopard, goat, etc.) recalls the biblical description of the beast in Revelation, which embodies deviant political and spiritual power.
2. The tumultuous waters:
- The waters on which the woman sits, as in verse 15, symbolize "peoples, multitudes, nations, and tongues," that is, Babylon's global influence.
3. The Fiery Background:
- The flames and the dark sky suggest destruction and judgment, in harmony with the prophesied fate for the prostitute: to be consumed by fire.
4. The marginal figures:
- People observe from a distance, perhaps witnesses of divine judgment. They represent humanity looking at the destiny of the great Babylon.
Symbolic and biblical analysis
1. The prostitute:
- In the context of Revelation 17, the prostitute represents the idolatrous, oppressive and decadent system that dominates the peoples. His submission to the beast, then his betrayal by the ten horns (allied powers), indicates a temporary alliance destroyed by internal conflicts.
2. The beast and the ten horns:
- The beast and its allies (the ten horns) hate the prostitute and decree her end. This represents the collapse of the worldly system when the very powers that support it rebel against it.
3. The divine will:
- As indicated in verse 17, "God has put it into their hearts to carry out his purpose." The image visually conveys the inevitability of the divine plan, even through the instruments of chaos and evil.
Commentary and reflection
This scene emphasizes:
1. The transience of worldly power:
- The prostitute represents a seemingly invincible force but doomed to fall, a warning against idolatry and trust in earthly systems.
2. God's sovereignty:
- Even in chaos and betrayal, God's plan is fulfilled. The image reminds us that even evil is subordinate to the divine will.
3. Judgment and purification:
- Fire, a symbol of destruction, is also a means of purification, marking the end of the old order and the announcement of a new one.
This apocalyptic vision is not only a prophecy of destruction, but also an invitation to spiritual reflection, to renounce worldly illusions and to seek true divine fidelity.
Revelation 17:18
The woman you saw is the great city that rules over the kings of the earth.
The image represents a powerful and symbolic visual interpretation of Revelation 17:18: "The woman whom you saw is the great city that rules over the kings of the earth."
Description
- The central figure: A woman seated on a royal throne, adorned in sumptuous red and gold dresses, a symbol of power, luxury and authority. Its crown and luminous halo evoke a divine or sovereign image.
- The surrounding city: A golden and immense metropolis stretches out into a surreal landscape, with skyscrapers that seem to sparkle as if they were made of gold. The environment reflects opulence and magnificence, almost otherworldly.
- Cosmic elements: Two planets visible in the sky and a red, turbulent atmosphere suggest an apocalyptic and cosmological dimension, connected to the Last Judgment.
- Figures at the feet of the woman: Statues or people in poses of veneration or contemplation, which may represent the "kings of the earth" subjugated to the power of the city/woman.
Symbolic Analysis
1. The Woman and the Big City:
- The woman represents Babylon, identified in the Bible as a symbol of corruption, idolatry and oppression. His elevated position and throne emphasize temporal and spiritual domination over the inhabitants and rulers of the world.
- His golden attire and crown recall the biblical description of a rich, but morally decadent city.
2. The Golden City:
- The city can be seen as a metaphor for a human civilization that has reached its maximum material splendor but is at the same time spiritually corrupted.
- Gold and dazzling light evoke a seductive appearance, but they could also allude to deception and superficiality.
3. The Red Sky and the Planets:
- The apocalyptic atmosphere highlights the imminence of divine judgment, a central theme of chapters 17 and 18 of Revelation.
- The planets may indicate that the dominion of woman/Babylon extends not only over the earth, but also has cosmic implications.
4. The Statues/Venerators:
- Figures looking towards women can symbolize the cult of earthly power, the idolatry of riches and the submission of men to a system that oppresses them.
Comment
The image visually captures the duality of the great city/Babylon: an outward splendor that hides a profound moral decadence. This depiction emphasizes the message of Revelation, which warns against the deception of appearances and the danger of worshipping that which is temporal and corruptible.
From the point of view of negative theology, the city and the woman represent the antithesis of the divine: a manifestation of what God is not, namely vain opulence, tyrannical power and idolatry. This contrast emphasizes the soul's aspiration to free itself from material chains and ascend to a higher truth, beyond earthly illusions.
Conclusion
A symbolic work of art inspired by Revelation 17, depicting a dramatic scene of spiritual contrast: a great city falling into ruin, symbolizing human arrogance and decadence, with dark clouds swirling above. In the foreground, a radiant light pierces the darkness, illuminating a serene ascending figure, representing hope and spiritual transcendence. The city is detailed with crumbling towers and desolate streets, as the sky changes from stormy gray to a golden hue near the light source. The scene is imbued with contrasts of shadow and brightness, symbolizing the struggle between darkness and redemption.
Symbolic aspects
- Ruined City: The decaying city represents human arrogance and decadence, a central theme in the chapter of Revelation 17. This visual element emphasizes divine judgment and the collapse of corrupt worldly structures.
- Contrast between shadow and light: The struggle between darkness and redemption is emphasized by chiaroscuro and the transition from stormy gray to golden glow. This stylistic choice amplifies the spiritual theme of the conflict between sin and hope.
- Ascending Figure: The luminous figure in the foreground represents spiritual transcendence, a symbol of hope rising above earthly chaos.
At the heart of the symbols of Revelation 17, a profound and universal message stands out: the fall of the corrupt structures, symbolized by the great city, is not only a moment of destruction, but the opening to a higher possibility. In the light that pierces the darkness, spiritual ascent calls us to transcend the limits of arrogance and worldly attachment, revealing that true awakening does not come from the construction, but from the deconstruction of the false.
From the perspective of the doctrine of revival, the descent into the abysses of decadence represents the turning point towards an inner rebirth, while, according to negative theology, the silence that follows ruin gives way to the ineffable mystery of the divine. Thus, what appears as an end is, in reality, the prelude to fullness: a call to leave behind the shadows to ascend towards a light that transcends all form and word.
The Apocalypse, therefore, is not only a prophecy of destruction, but an invitation to transformation: a journey between fall and ascent, a path of awakening towards Being beyond all being.
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